Inviting intimate reflection, award-winning artist Nic Fredman showcases 18 years of work
South African-born Nic Fredman presents two decades of oil paintings and mixed media pieces in a show entitled “Nic Fredman: A Retrospective” from 30 October – 30 November 2021. Works on show include small panoramic landscapes produced over the last 3 years. Earlier pieces date back to 2003 when Nic returned to Cape Town after living in London for 28 years.
“They are an emotional response to landscape that has meaning to me about
where I exist in the world.”
Nic completed his under-graduate art studies at the Central School of Art in London and at Hornsey in Middlesex, before studying printmaking at the Rijksakademie van Beeldende Kunsten in Amsterdam. He then obtained a postgraduate degree at the renowned Slade School of Fine art in London. Both a practitioner and educator, Nic has taught at the Ruth Prowse School of Art in Cape Town.
This multiple award-winning artist has exhibited widely in the UK, Amsterdam and South Africa. Notably, he was a South Bank Show prizewinner, and a recipient of the Ernest Cassel Prize, the Boise Travel Scholarship to New York, and the Granada Prize for Young Painters, among other accolades.
For this retrospective, Nic has mounted nearly two decades of work, revealing a more recent interest in landscape. The majority of paintings on show are comprised of small panoramic landscapes produced over the last 3 years, many of them through the Covid lockdowns. The other work on show dates from the time when Nic set up studio at The Old Breweries in Woodstock in 2003, after his return to Cape Town. The work on exhibition is divided into four themes: The Dark Rooms, Woodstock Anthills, Artefacts and Reconstructions, and Small Landscapes.
Speaking of The Dark Rooms, Nic states: “The Dark Rooms comprises a body of work that I initiated when I was working in my London studio and drew inspiration from those artists inspired by the WunderKamer and Cabinet of Curiosities. I would spend hours in the wonderful museums of London, the Victoria and Albert Museum, National History Museum, and especially, the V&A Museum of Childhood in Bethnal Green, with its marvellous collection of Victorian dolls houses. These paintings are of imagined, invented rooms or dolls house rooms. They tend to have a darkness to them where shadow rather than light predominates.”
His next themed body of work titled Woodstock Anthills consists of paintings on prepared paper using images of Woodstock, with fragments of the landscape, textures and overlays. These paintings were started in Nic’s Woodstock studio and draw on the surrounding landscape and fragments current in his imagination at the time.
“I had a great studio, once used by Cecil Skotnes, in an annexe of the Old Breweries
Complex. Working in the gothic Old Breweries building had its own inspiration, but I
would garner images on my daily walks around the neighbourhood. I was
particularly drawn to small details from facades, shop windows and street
corners,” he explains.
Artefacts and Reconstructions is a series of paintings and constructions using found objects, paint, and collage. Nic is showing several mixed media works on paper as well as work constructed on wood using found objects. In 2011, he exhibited some of these constructions at the Design Indaba.
“Whereas those were three-dimensional, sculptural and some real cabinets, these paintings are largely collaged matrixes. Some resemble diagrams; others recall the printer’s tray grid, where disparate objects and images have been forced to coexist.”
The prime part of the retrospective is a collection of 40 intimate landscapes, humbly titled Small Landscapes. These small works, sized 8cm x 28cm each, are all oil paintings either on prepared paper or gesso board.
“The landscapes mark a return to a fundamental bearing within myself. Not just with the subject but also with traditional technique. Whereas the earlier work had been about invention and manipulation of colour, form and material, painting the landscapes was a direct response to the need to simplify the process. To get back to basics. I had seen a small Pieter Bruegel landscape in a museum and was knocked out how such a small painting could carry such a sense of largeness,” the artist states.
“Many of these were started when I had to spend months in London while my
daughter was having treatment for her Lymphoma – small work was easier to
carry back and forth and easier to make while sitting at the dining room table. I carried on the practice during the first Covid lockdown when my dining table became my studio. Drawing into a smaller space was also about yearning for the unbounded horizon. The smaller size encourages intimacy and making them is also about drawing inwards to reflect an infinite place and the idea of hope in a small
Inviting just such introspection in its viewers, “Nic Fredman: A Retrospective” is on show at the Spin Street Gallery in Cape Town for one month only. For more information, please visit nicfredman.com.
Title of art exhibition: “Nic Fredman: A Retrospective”
Venue: Spin Street Gallery, 6 Spin St, Cape Town
Date: 30 October to 30 November 2021
Contact: email@example.com or +27 (0)84 714 7923
Gallery hours: Mon-Fri from 08h30
Gallery contact: +27 (0)21 461 0666
Gallery info: http://www.6spinstreet.co.za/
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